An episode of Authors on the Air

From the m3 to the m5 and their lustrous hybrid i8 model, BMW has displayed finesse in both environmentally conscious engineering and cars that can handle great speeds. At their headquarters in Munich the tireless minds at BMW have introduced their concept for the future to its physical embodiment. The BMW Concept 4, a striking coupe in the same vein as the or the 3. Proportionally the bonnet it stretched and affixed with a reinterpreted vertical kidney grille reminiscent of the Roadster 2.

The Concept 4 was shaped and moulded with great care to become the new face of the 4 series, rigorously enhanced. Millimetre precise contours add to a voluminous build, the Concept 4 is like a low riding muscle with a long wheelbase and a shapely sophistication that ensures it is not soon forgotten. This model foreshadows what is in store for their 4 series range. The book is a study of how intuition provides the framework for immersion, her nuances of text in an image with so much complexity in shape guides the eye and results in a better understanding of the art itself. In her new cycle of works, Immersion, artist Jorinde Voigt invigorates her on-going study of perception.

Lena Kiessler of Hatje Cantz will be moderating the book release to properly celebrate the start of the eighth Berlin Art Week. The book launch will take place across a number of countries but it will be honored in its vitality by a select few fine art institutions. By Repeatedly feeling out her own thematic strengths, revisiting themes that reoccured in her art Voigt details and seemingly annotates her work for our benefit. Everyone has their own race, and with it an itching desire to navigate their race without hesitation, fault or failure.

How do they react under pressure? This collection answers these same questions, making it clear in no uncertain terms that the wearer is used to standing out, entirely self-assured and exist as a breakthrough force to be reckoned with. After fourteen long years, after legal battles and motorcycle crashes and cracked ribs, TOOL is back to remind us no one can do what they do. They recorded instrumentation without Keenan, who planned to lay the vocals over their recordings once they were finished, as was their working method.

In their website read that they were half way done with recording the album before vocals. Then the worst happened, their drummer Danny Carey had broken multiple ribs in a motorcycle accident.


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Their fans never ever left. Not to mention their three-time Grammy winning guitarist Adam Jones. Their sound is rooted in technical perfectionism, being totally in sync within a totally insane song; some might refer to this as organized chaos. After what feels like one of the longest waits in music history, TOOL reconnects with their fan base through this riveting seven-track project, hoping that their following will hear it with perked ears and little hairs standing upright on the back of their necks. A teasing of rose leads us to that smell of power withheld in fine leather, this is followed by custom extractions of timut pepper and geranium bourbon scents.

Ellena maintains his signature minimalism, attained as a disciple of legendary perfumer Edmond Roudnitska , while brandishing less common and intricately selective aromas. In Grasse, France, the exact ingredients that Jean-Claude requested were then created by Frederique Remy, the owner of Floral Concept, the most advanced natural extraction laboratory in the world.

The meeting of these minds and their shared intentions have brought to life a seductive, rich and curiously controlled crescendo that needs no musk or additives to finish. Since its inception ten years ago the brand, Moose Knuckles Canada, offshoot of Moose Knuckles, has become a top of the line, weather-ready force to be reckoned with.

Their new collection is accompanied by a clear message that life is not to be neglected and the time sensitive realities of our life-giving planet, not to be dismissed. They have also issued a vehement anti-fur statement explaining that they exclusively use faux fur. With insulating fabrics and a growing legacy in outwear and exploratory gear, Moose Knuckles encourages wearers to throw themselves into life regardless of how great the challenge or how severe the weather. It is here the mystic Inuit performs a ritual that cleanses them of sin and sanctifies in them the true meaning of human existence.

As the Amazon burns and giant glaciers in the artic melt, cooling our oceans, changing our weather patterns and making weather events more extreme and unpredictable, Moose Knuckles Canada urges us to involve ourselves more deeply in a reality freed from the mirth of apathetic tendencies technology can trap us in. If there is one trend that stands out and has dominated fashion over the last few seasons, it has to be streetwear. Streetwear staples, such as hoodies and sneakers, have become absolute must-have items and they have been elevated, at one point or the other, into the realm of luxury ready-to-wear at every fashion houses.

Maybe sooner than we think. The collection is defined by the narrow and elongated silhouette of smartly tailored pieces: high-waisted, tapered trousers are paired with blazers or caban coats — belted double-breasted or reversible, which softly envelop the body. Cartier, world-renowned jeweler, is starting a dialogue with environmentally conscious speakers, artists, philosophers and academics in an exhibition dubbed "TREES".

This exhibition offers a long awaited chance for the humanity of such an issue to be unfettered by political inaction. Artistic contributions from Latin America, Iran, the United States and European nations reinforce a shared goal and the global unity necessary to progress. It is through Foundation Cartier's platform these voices can urge and advocate for the conservation and protection of the Amazon rainforest.

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Trees, the gentle giants so unassuming yet crucial to life on Earth, provide sanctity to humans and deserve sanctity from industrialism. The relationship between humans and trees will be thoroughly explored in a film by Raymond Depardon. Three narrative threads tie this exhibition together. Firstly, trees as we know them, then the aesthetic observation of trees and lastly, the devastation of trees as visualized through documentary film and pictorial testimony. The Brazilian artist, Luiz Zerbini, explores the blunt force with which urbanism defiles the world's natural environment.

Stefano Mancuso will speak on the intelligence and awareness of plant life as it communicates and interacts with its surroundings. This exhibition of purposeful unity will remind change makers that trees are they are the lungs of our suffocating world and they are at risk of never breathing at full capacity again. The 'La Voyageuse' bag comes in three variations and a handful of adjustable styles for the modern woman that makes travel look like a breeze.

For nights out in foreign cities there are two additional styles. A small cross-body bag with a detachable strap that doubles as a clutch and a second style that draws inspiration from vintage newspaper bags, minimalist and uncluttered, with removable handles for those into customization. In fashion, every new season is a new beginning. The old collections disappear as they are replaced with the new looks. Often the first point of contact between the brand and its customers, the campaign, enveloped in a thought-provoking narrative, sets the tone for the new season.

Inspired by the 21st-century dreamer, chasing infinite possibilities in the city of New York, Coach unveils its new look and feel for the house. Alongside Michael B. Reaching the top of Mount Everest literally means arriving at the top of the world. Trekking this iconic peak, measuring 8,m, remains a remarkable feat, which only a relatively small number of people have achieved. With the rise of outdoor activities and extreme sports, the number of adventurers attempting this endeavor has sharply risen over the last decades, over in alone, leaving behind a devastating footprint of trash and debris in the high altitude territories.

In , the luxury brand provided the Swiss expedition with rubber-soled footwear, with the world-famous Bally reindeer boots being worn during the first-ever successful summit in With the first edition of the Bally-sponsored clean-up mission, the group of experienced climbers removed over 1 ton of waste from areas only reachable by humans. A second undertaking has already been initiated for the end of the season to discard the debris left by the numerous expedition teams. To celebrate the launch of Bally Peak Outlook, the Swiss house introduces an exclusive capsule collection, pledging its net profits to benefit future expeditions.

The suit is to men what the little black dress is to women. Highly versatile, whether in the classic three-piece ensemble or in a more casual combination, it can be adapted to almost any social setting and situation. With the life of modern men becoming more diverse and cosmopolitan, the suit had to adapt to a new set of challenges. The collection itself is defined by precise tech-tailoring, layering and the use of premium fabrics. Apart from exquisitely tailored suits, the more relaxed wardrobe of versatile pieces, embracing masculine elegance and innovation, offers the modern man the perfect attire for both formal occasions as well as leisure time.

Instantly recognizable, the shape has been engrained deeply in our minds and has become synonymous with the brand MINI. Nevertheless, progress has not passed the British manufacturer by. Recognizing the growing ecological awareness of a new generation of consumers, Mini unveils its first electronic MINI model.

With the new Mini Electric, the British brand is making a huge step towards a new mode of urban mobility, combining the revolutionary design of the classic MINI with a clean electric engine. In celebration of their 60th anniversary, MINI proves that progress does not have to come at the expense of tradition, by adjusting everything that distinguishes a MINI to modern needs. The new MINI Electric will become available in , but can be pre-ordered via the online reservation tool.

Haute Couture represents the high point of fashion, the merging of the finest craftsmen and the finest materials, with its essence deeply rooted in time-honored traditions. In a bold and beautiful collection, Clare Waight Keller interweaves the threads of the gilded past into a radical future. The exquisite materials, inspired by impressions of the past, from flowering wallpapers and rich upholstery to heraldic silverware, in combination with elaborate displays of precious beading and sequins, feathers and lace dissolve into the modern contrast of deconstructed evening wear.

Old techniques and conventions meet modern materials and construction, accentuating a vibe of rebellious grandeur which defined the whole collection. The looks are finished off in a daring retort to pomp and ceremony, with crested mohawks, pearl chandelier earrings and decadent palladium crowns blooming with curling 3D petals.

This show connects the past and present and relates the elements of fantasy and indulgence that have made couture such a compelling practice with a hint of rebellion. Oversized suits in dusty colors from pink to sage. Beautiful double breasted elongated blazers worn just buttoned at the inner side, leaving the wide lapels on a fluid motion.

Having experienced first hand during his travels at the time, Paul Smith channelled all of that eclectic atmosphere, imbued of unconstrained creativity. Tailored leather jackets worn with drawstring tracksuit trousers in sage nylon, double breasted blazers at times cropped on the waste and worn with high rise fluid pants both for men and women. The color palette is also filled with hues reminiscent of Pop Art chromatic scale: yellow, fluorescent orange and cobalt blue.

During his visit in the big apple, Paul Smith breathed the environment around iconic galleries, like Leo Castelli, definitely the most prominent art venue in the world during those years and one of the first in late 50s to showcase Pop Art when Jasper Johns joined the gallery. A relaxed mood so appealing and modern we have loved every bit. It was a celebration of all the pieces and silhouettes we have loved this brand for.

Born more than 10 years ago, Juun. J has build a aesthetic imbued with beautiful modern tailoring: blazers with sharp oversized shoulders matched with leather shorts or leather overalls black leather was definitely one of the key element , and suits with fluid palazzo pants declined in a beautiful grey English check, both for men and women. J is fond of. Fluidity and breeziness we found as well in dresses played around transparency and asymmetrical layering, in beautiful lemon yellow or the signature metallic.

In a pitch black room just one spotlight is directed on one person only: Hedi Slimane, almost silently shaking hands to everyone who respectfully wanted to congratulate after his first Celine Menswear dedicated show. A stage-throne where the first model seated till the humongous mechanism approached slowly the centre of the catwalk. High waste flared denim, sequins jackets, short black leather perfecto, red or gold varsity jackets. But also tailored slim suits in dark brown, khaki, black and at time — see the first look - reminiscent of Savile Row.

It felt almost as if we just were walking out of a student protest of the time. Kramer, an American artist working with words and building them together in form of slogans as part of his mostly figurative paintings and graphic drawings, collaborated for the first time with Slimane.

The notion of time, stretched and relative, where past and future are intertwined. Approaching the show venue of Dior Homme for Spring Summer we saw a clock eroded by time, almost crumbling as we speak, few steps further a desk, two chairs, some books as touched by decades, perhaps centuries. Like the huge letters forming the word DIOR on the catwalk: they look like they are falling apart but if you look closer there are crystals growing in their fractures, perhaps leading to a new completion of the letters.

Kim Jones has always been fascinated by the concept of time channelling his imagination of future, technology and of travel he has created a strong impact on his poetic. For Dior Homme Kim Jones explored transparency, feather-like garments but also combined with sculptural elements where the leather pieces are cut and sliced like it would be if they were cut by a frieze machine.

Starting by printing from the inner side of the garment and then constructing the whole piece with layering the singular elements on the outside. It is like a modern way of sculpting and almost like contemporary embroidery. Another wonderful couture technique is the different panels hand pleated silk crepe put together and applied on jackets and tops. Hand tacked into the organza base, pinned together to create different directions of curved surfaces, almost like geomagnetic field. Beautiful shades of grey, bubblegum pink, royal blue, neon orange, white: the entire colour palette felt modern and alluring.

Alluring as the first collaboration with Rimowa presenting a capsule collection, including a champagne case, a backpack, a clutch and a cabin suitcase. Kim Jones also continued the idea of draped volant sashes in jackets from Fall Winter , now declined in beautiful floor swiping length marking the pink sand floor of the set. Central to the exhibition is the critically acclaimed series, Untitled Film Stills, which is shown to the UK public for the first time.

Cindy Sherman truly was an image creator. She did not only assume the role as photographer, but also model, set designer and hair and makeup artist. Through sharp observation, her work scrutinizes contemporary life and exposes it as a world of pure appearance, denouncing all its facades and deceptions. Virgil Abloh is a disruptor in the fashion industry and nobody embodies the rise of streetwear quite as he does.

As the streetwear trend was slowly taking off, it was designers such as Virgil Abloh that elevated it to the next level, bridging the gap between the established high-end fashion and the newly emerging luxury streetwear. As expected, he immediately made his presence felt and injected the French heritage brand with an urban vibe through his different approach to design and references to street art.

In meticulous steps, the 42 layers forming the bright X-motif are hand-transferred color by color, a process so time-consuming that it requires the same number of hours than the rest of production. Amongst all the seasons, summer has a special place, after all, it is the most liberating of all the seasons. Giorgio Armani tries to capture this summer spirit with his eponymous SS20 collection. The SS20 collection was built around tailoring, through which Armani has achieved his legendary status.

In line with the lightheartedness associated with the hottest season, we see a more relaxed and lighter interpretation of the tailored suits, balancing and harmonizing the world of formal attire with the more sporty one. Nonetheless, the label maintains its sartorial essence, limiting the more elaborate escapades into athleticism to the Emporio line.

The collection is defined by looser silhouettes, fitted around the shoulder but loose around the body. Armani seeks to replace the rigidity of the suit with freedom of movement and comfort, implementing light materials and looser fits. Italian fashion has a certain inherently elegant quality that has been established by its grand houses and their rich tradition. Marcelo Burlon does not fit this mold of Italian fashion. Traditional Italian elegance is replaced with a gritty urban aesthetic, closer to streetwear than couture.

Marcelo Burlon takes a techno-approach for his new season, starting with his choice of materials. Modern fibers, such as iridescent coated nylon and paper-like resin tech cotton are crafted into garments suited for the hyper-accelerated needs of a contemporary lifestyle. Technical cycling garments, do not just inject an element of body consciousness, but also infuse traditional tailoring techniques for an eclectic hyper-modern look. To underline his techno-approach, Edoardo Tresoldi build a modern and impressive wire mesh cathedral as a runway for the show.

In an effort to give back to the community and in support of tolerance, Marcelo Burlon sets a sign by casting a considerable number of first-generation Italians of African descent and inviting local kids to the show. In a way, the new Resort collection represented a turn of the page for the Roman house. After a tenure of almost half a decade, this was the first presentation of FENDI that was not designed under the guidance of Karl Lagerfeld. As expected from a house like FENDI, throughout the collection, only exclusive materials are used alongside fine furs, in subtle combination with the houses signatures; the Pequin logo-no-logo stripes, Karligraphy and the traditional FF monogram.

To round off their retro-elegant look, FENDI unveils new interpretations of the iconic Peekaboo and Baguette, alongside an archive-inspired tote design and structured chained bag. Not many brands have become as synonymous with elegance and luxury as Cartier. With its new high jewelry collection, the French manufacturer does not only celebrate its long tradition of excellent craftsmanship but also showcases a boldness for a new stylistic adventure and novelty in its designs. Magnitude is an unexpected and bold encounter of materials that were never meant to meet.

Side-by-side precious stones confront ornamental hard stones, complementing and highlighting each other in a display between opacity and transparency and pure colors and shimmering nuances. To celebrate Magnitude, Cartier held an exclusive event in London. The collection will be on show to the public at The Strand London between June 27th and June 30th. Nowadays, everybody is wearing sneakers. Previously reserved for certain youth cultures and athletes, the sneaker has evolved into an absolute must-have item in every shoe closet.

Following the likes of other global brands, Italian shoemaker Berluti presents its first ever sock sneaker, the Shadow. The shoes will be available in stores and online. No other city in the world has had the same cultural impact than New York City. Constantly evolving, the city has left a mark not only in its eight million inhabitants but every single person around the world.

We have all seen countless movies and TV shows taking place in New York and share a certain familiarity with the city. His Coach Resort collection is refreshingly urban with a hint of toughness, combining preppy origins with a certain downtown attitude. Vevers unveils his reimagined version of the Coach heritage. Reminiscent of the Nineties, with a Seventies-inspired earthy color palette, the collection shows his personal take on what a vintage piece of Coach might look like. The revisionist picture is merging modern tendencies with their archives, whilst reenergizing the horse-and-carriage emblem.

The iconic logo evolves into a pattern, repeating itself throughout the whole collection. The created pattern feels fresh imbued with a distinct old-school feel, playing on notions of heritage and the contemporary craze for brands and logos. Despite massive strides over the past decade, discrimination based on sexuality still prevails. Summer starts early this year, as Italian retail group Net-A-Porter invites its guests for a getaway in the Greek sun.

For three days, designers, models, influencers and friends of the brand alike come together at the Amanzone Resort Villas to celebrate the warmest season in all its facets. Over three days, Net-A-Porter, in partnership with Zimmerman, Chopard and Sisley-Paris, offered their invitees extraordinary entertainment, tailored exclusively to highlight the spectacular Grecian landscape. In this breathtakingly beautiful setting, it was the guests that stole the show, bringing to life all the aspects of high summer fashion, from essentials for pool or beachside to cocktail attire and partywear.

To complete the looks, Chopard made available a selection of limited-edition jewels, which were worn by some of the guests throughout the week. Here, an exclusive curated collection of high summer essentials, featuring brands such as Zimmerman, Aquazarra and Wandler awaited the guests. This summer, Net-A-Porter unveils the Jet-A-Porter vacation shop, revealing a complete curated summer selection ideal for a summer city break or beach vacation.

In the meantime you can shop the pieces at www. His three apprentices augment their Three Boys From Pasadena, created ten years ago, with new works. London-based house Dunhill looks back into its past and rediscovers a series of hand-painted illustrations first introduced with the Aquarium lighters in They received their name, due the material's optical reflection of the light, giving them the appearance of a large fish tank. These intricate nature-inspired motifs of fish and birds, were re-contexualised and reimagined as prints for a series of modern pieces, such as bombers, swim short or sneakers.

As expressed by Mark Weston, the whole collection expresses a certain tension in parts due to the old reinterpreted in new forms, the ageing motifs with a newfound relevance, so as the Art deco inspired motifs on hand-painted lighters become fabric prints for items such as belt bag. Despite the new polished format of these prints, Dunhill keeps in touch with their origins.

Aside the summery capsule collections of modern clothes, they also feature an exclusive revamp of the original lighter, using the same traditional methods and a exquisite palladium or gold plated finish. This very limited edition only consists of 15 lighters per colorway, each individually engraved and numbered.

One year after his passing, multifaceted artist Getulio Alviani, pioneer in the movement of kinetic art and Op-Art, was celebrated in the framework of the 58th International Art Exhibition of the Venice Biennale. By applying his visual experimentations with light and optical illusions to sartorial endeavours, designer Marucelli constructs wearable pieces of art, transforming and evolving with movement and in relation to the body that wears them. The exhibition is open to the public until the 30th of May in the Palazzo Barbaro in Venice. Before the influences from across the Atlantic reached and popularised this visual urban language across Europe, Amsterdam had its own home-grown graffiti culture.

Their styles were as varied as their messages, creating graffiti unlike any others. The exhibition features the work of portrait and fashion photographer Tom Jacobi, who travelled two years over seven continents to capture archaic landscapes that are dominated by brightness. Into the Light symbolises the striving towards light from out the darkness, in search for the meaning of life, gazing up towards the sun that fills with the brightest of all colors: white. White occupies a particular position in the spectrum of colors and has an essential influence and meaning in the exhibition and how the color is interpreted in different societies and cultures.

The maison of Louis Vuitton launches three new scents on April 4th , just in the nick of time for the first burst of summer weather. With a triptych of pop colors and the scent of summer optimism, these eaux de parfums announce and prolong that spirit of summer that is so often tragically fleeting. Conjuring up sizzling patios scattered with cacti, beaches etched in foam and the one-of-a-kind California landscape, it unleashes a sense of freedom and passion notorious of the West Coast.

Master Perfumer Jacques Cavallier Belletrud has concocted a formula bodied with airness that lingers on the skin, ensuring that permanence so yearned for on endless summer nights. The inherent natural properties are brought to the fore, the perfumes consisting of the rarest and rawest of materials. An olfactive melody of orange blossom, citron and musk evokes rays of sunlight reflected off of the sea surface.

Cactus Garden is a frisson of emotion introducing more bitter notes of Calabrian bergamot combined with the traditional mate and lemongrass. This powerful aroma injects a certain energy associated with lounging on the patio, recovering sheltered from the heat. The final scent is Afternoon Swim, an explosion of juice. Rejuvenating and magnetic; the profound mandarin note emits a distinct freshness.

The sprinkle of ginger allows it to set sail, then is pulled back again for savoring through the creamy ambergris and orange. Los Angeles native artist Alex Israel designed the packaging for the respective scents, pairing emblematic artwork with the spirit of the fragrance to appropriately capture each scent. The show represents the dynamic creative work of New Zealand born artist, photographer and filmmaker Sharna Osborne.

Her work is praised for the beautiful details that are often highlighted. Osborne created a physical space full of imagination and wonderment for this show. She used a personal selection of her work to create an innovative intimate approach to the contemporary standard of femininity. Special and unique is that the installation is intrinsically connected with the collection itself.

Both form a storytelling interaction by consisting an arrangement of frames, supports and structures that shape a chaotic and absorbing ensemble of divergent narratives. The model path unfolds playfully through the hall and brings the installation with the models to life. The catwalk is a confrontational embodiment of images, opinion and language about fashion as an intimate extension to femininity. This metamorphosis envisioned by the late Karl Lagerfeld with Virginie Viard makes for an romantic, emotional event, fondly and fittingly exhibiting everything about the brand that Karl so loved and fought for.

Radiating elegance and class, the collection is quintessentially CHANEL, silhouettes are accentuated with both the masculine and feminine cuts in a palette of clean winter whites, beige, navy blue and black, the perfect foundational coat for the flashes of emerald, purple, brick reds and fuchsia.

Tweed fedoras are dusted with snowflakes, paired with tartan, houndstooth and big check motifs. Tweed is certainly a core fabric this collection, both top stitched and quilted, asserting its masculinity with high-waisted wide-cut trousers and layered with great enveloping mini capes and overcoats that warmly wrap the silhouette in a blanket like fashion.

All motifs and small touches evoke the theme and setting. Although confident and crisp, there is a distinct softness to the collection. White pearl earrings and knitted scarves in embroidered chiffon are just some of the details that emanate an air of sophistication. The feminine of course is unavoidable with floaty maxi volumes in Claudine collars and delicate shirts. Snowball skirts and chiffon feathers bring in a sense of modernity and youth.

It has been exactly 2 years, when backstage after his Fall show Rick Owens mentioned how he was tired of being a downer, wanting to be more optimistic celebrating humanity and life. Rick Owens is certainly the real living high priest of fashion who true to his words continues to surprise us. For next Fall Owens led us to an incredible dose of sexiness and glam we have never seen before: alluring bodysuits and short dresses twisted and knotted with long floor-swiping trails nodding to Hollywood gala.

Some featuring the famous Fortuny prints. Matched with tailored blazers and coats with sculptural shoulders once again recalling — following Menswear — his hero, American designer Larry LeGaspi, who dressed the likes of Grace Jones, and the likes of legendary rock bands Kiss, Labelle, Divine in the 70s. But there is another source of inspiration in the collection, another legendary American designer who later that evening after the show was celebrated at Joyce Gallery at the Jardin du Palais Royal with a small exhibition and the launch of a book with preface of Rick Owens himself: Charles James.

James lived in the legendary Chelsea Hotel and was a master in building a sculptural shape for evening dresses but also was interested in developing new shapes. In one of the archive pictures shown at the gallery we see a young Pat Cleeveland wearing a pair of shorts he creates in 38 and decades later developed into leather. A series of reversed blazers with silver cowhide or nylon puffer are certainly playing references between James and LeGaspi.

Owens staged a spectacular collection. And the alien-like make up by prodigy Instagram talent Salvia - an ode to body modification - was the perfect element to further take ours breath away. The first looks already set the mood: long wool coats, dazzling tuxedo blazer with boxy sculptural shoulders, beautifully tailored. But the collection also featured the vertiginously short minidresses Vaccarello is known for in the last looks that stormed in the catwalk as a totally different happening hinting the most deepest night ahead: fluorescents with matching shoes.

Looking at their silhouette you can see a reinterpretation of some lines from the iconic collection by Yves Saint Laurent, clearly addressed by Vaccarello who has been constantly researching the archives. The light installation inside the venue between Matrix and the Tour Eiffel light spectacle — the latter usually accompanying the show during summer time — was a magnificent set for a magnificent collection.

This time at the grand hall of the Deposito, Prada unveiled to us its darker side. Boxier forms and heavy tops feature, a look that combined with the plaited hair cannot help but remind us of the precocious Wednesday Addams. Crimson red makes its expected appearance throughout both in accessories and in the garments themselves.

The former looks however, are a stark polar opposite - much preppier and defiant. Contrasts between two feelings, embodiments and extremes: masculinity and femininity is what this collection expresses. The feminine silhouette is expressed in softy formed knits with crocheted corsets, bustier dresses, and light silk and satin jackets. The male contrast is added by pure, sharp sculptural 3D shapes and geometric dresses and coats of generous volumes that seem to float lightly. The constructions in this collection are the main part of the aesthetic and contain wavy, dimensional structures.

The finishes are sensitive and contain splits and stratifications. Coarse fabrics symbolize masculinity but give a feminine reaction through the subtle treatment. Traditional couture techniques turn into Japanese fitting finishes to emphasize fragile body shapes. Cotton voiles, paper-like leather and silk crepe emphasize raw elegance. Prints are characterized by birds, herons and swallows printed on the front or back of woven shirts or suede jackets. There is a clear balance between slimness and volume.

The comfort can be found in soft pathways. The search for the harmony between masculinity and femininity is interspersed with a color palette of black, white and soft natural colors against bright colors. Accessories are smooth and emphasize the relational contrasts. Shapes are broken, stretched and folded into indefinable corners. Shoes are delicate and executed in soft and hard silhouettes. Special are the leather socks and thin soles that give the feeling of primitiveness. The outerwear emanates warm tones of yellow that transcend into almost neon flourescence along with intense oranges, optical whites and classic blue denims.

Silver and gold metal fibres also make an appearance. The garments are simply ideal for the traveller in virtue of being extremely light and foldable, able to be fitted into travel luggage and smaller cases. The urban section features lightweight lycras that are highly breathable and suited for warm Spring temperatures. Classicism also infiltrates the entire collection with simple cut shirts and trousers from sartorial models. Soft to the touch fleeces are enriched with Oxford fabrics. Fuss and excess are deliberately stripped away in the search for pure essentiality and necessity in designs.

Technical glamour blends with colours, shapes and fabrics in perfect Italian style. What was once familiar is now unrecognisable. A joyful collection, handmade from artisanal fabrics and quilts that are juxtaposed with bold and enhanced outerwear, offers a heightened sense of color, nature and emotion. Painting with both light and dark colours and all psychedelic prints in between, a mash-up between freedom and defiance unravels.

Movement and distortion are also key, kaleidoscopic print dresses cascade down the form gently trailing behind. A new generation of pioneering musicians is taking over! They are a DJ, a producer and an artist all at once and continually explore their horizons by entering into surprising collaborations mostly based on improvisation. He can play almost every instrument both electric and acoustic with a focus on bass guitar, electric guitar, keyboard, saxophone, and he also has a modest jazzy voice.

FKJ seems to be in a very relaxed vibe during his performance. He does not talk or sing much; he just plays in a very sincere way. But when he sang live, it was more like he was talking, telling short stories. His keyboard and saxophone solos sounded like naturally improvised sessions that just aroused on the spot. Despite FKJ being alone, he looped his riffs and solos to give the illusion of a fully performing band of at least five members.

While doing this, he mixed-in these earlier collaborations, giving the impression of Misch and Masego really being there. Making music is acting from the soul for FKJ. Rhythms are relatively simple and there is a lot of repetition, but the way in which all the layers flow into one another is the music of FKJ. Sit down, do not think about it, and do what feels right.

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During playing, Zverev can fully count on high quality performance-capable material, encompassing lightweight comfort and sustained flexibility. This assemblage includes suits, jackets, bombers, t-shirts, and pants, all with a fast-drying wool fabric for optimal comfort and performance.

This collection contains best of both worlds; elegance and ultimate convenience. This can be seen in the variety of fabrics: maxi meshes playing with transparency executed in an inspiring spring color palette. This apparel shows how the limits of active wear can be re-interpreted with innovative techniques that lead into a sophisticated look. All the pieces are made out of the natural fabric; pure Merino wool treated with special finishing techniques so that it will be easy to wash and maintains its rich quality. The installation gives the spirit of German-Jewish surrealist painter Felix Nussbaum an unexpected rebirth.

His art gives an artistic insight into the life of one individual among the victims of the Holocaust. He was that individual itself who lived for a long time in fear of Nazi terror, a fear that has always characterized his work. Waldach's spatial drawing embodies the center of existence in a distorted cube. With frightened excerpts and thoughts in the background coming from letters written by Felix Nussbaum.

Every wall illustrates a component of existence. On the wall of the "brain" the star of David is portrayed. Waldach emphasizes this idea with white and black lines that merge and mirror the visible and invisible world of a fearful life. Through it weaves a red thread that reflects the lifeline of Nussbaum. A line that indicates how the fate of a young Jewish artist led to atrocious persecution. This artwork is an ode to Nussbaum, but at the same time it is also an analysis of the life cycle.

The individual circle of life is characterized by the endless creation and passing of different stages of activity. Between birth and death we experience situations of departure, separation, isolation, doubt and the constant presence of existential fear. The course of a life is a line of actions and reactions that an individual experiences. The exhibition can be seen until November 10, Thom Browne is a master in staging a theatrical spectacle with several acts and characters playing. Last Womenswear show was a tale of sea creatures.

With a set composed by 36 bubble wrap stands along the runway the first 8 looks were completely composed by bubble wrap gloves and dresses. Looks were declined in two perfectly identical version, pant and skirt matching different tartan coats, all wearing Mary Jane. For Fall Weston continued working on those elements started already since his first season at Dunhill: leather, beautifully declined in the outwear. A brown marbled print was declined in shirt and bags creating a vibrant variation. Pants were wide and fluid, slashing a relaxed and modern style with slits at their long swiping floor hems: it is a nice continuation from the previous Summer season providing a new code for the brand.

Dunhill for Fall was convincing and appealing. When Kris Van Assche was appointed new creative director at Berluti, the legendary Italian brand famous for its custom made shoes, there was a lot of excitement and anticipation for the new breeze this visionary designer would be able to bring. We have been all following him in the developing of his codes along the years: the fascination to the New Wave music, the nod to a new modern tailoring with that sharp body-conscious blazer ushed further for the last collections at Dior Homme inspired by the Bar Suit.

You can see every mark left by the coloured shoe polish in the years, the craft, the spirit of the time. The reserved - at times almost introvert — Japanese maestro performing his music on a real stage! For us who love his poetic and admire him unconditionally it was a natural gesture.


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We all wanted to be there. And when the sound of his soft voice pervaded the show venue for his Fall Menswear a soft melancholy, recalling that iconic moment surfaced embracing the whole collection. It is not a stretch to feel the pathos recalling the uniform of the late Hijikata Toshiz? Backstage Yamamoto playfully stated to some journalists the reason of the floating treads was due to having forgotten to cut them away, but we know his extreme humble nature drives miles away from the fashion circus where every gesture needs to be overly hyped. Once again Yohji Yamamoto stays true to his integrity.

The Parisian brand Givenchy chose this season to present a new vision characterized by contrasts and eclectic tones. This look finds its roots in 90's maverick; an attitude that is represented by personal color-blocked suits with special embellished pieces in embroidered leather. Artistic director Clare Waight Keller introduced a new way of creating in this collection by playing with different volumes, and mixing lean lines with loose and oversized pieces. The mix of bright colors interspersed with formal shades gives a dynamic, surprising feeling to the classical Givenchy textures.

Experimental forms such as three-headed monk shoes are alternated with mid-calf shoes. Also thick platform shoes from the Givenchy pre-fall collection, together with the higher biker boots, the talisman charms and the seal rings are still Givenchy's leading niche. Style codes dualate on each other's borders but still express the elegant Parisian spirit.

Marina Hoermanseder is another designer who sparks joy with her creations and brings a sense of humor to her work. The designer lays the 90s elements on thick as evidenced by the collection's first look already: purple cycling shorts, a modification of her strap skirt and a neon-colored, short sweatshirt.

Strong country influences counteract the over-the-top nostalgia: Western buckles can be found on the typical strap skirt, sheriff stars are there as emblems and cowboy boots and hats finish the look. All this is an empowering spectacle and nod to strong, at times grossly underestimated, female characters that have shaped todays Gen Z, Hoermanseder's loyal followers.

Fendi achieves the fine balance between venerating the distinctive staples of the brand whilst subverting the notion that tailoring is characterised by clean cut, stark symmetry. Beautifully fabricated sleek a-line jackets with sharp shoulder cuts, flared trousers softly secured around the waist, leathers and furs feature are all expected features however the bags and accessories are perhaps the most notable feature in the collection, creatively devised and expertly crafted.

The dynamism of featuring asymmetrical half-half jackets and overlayers reminds us that this formula is available for adaption. The integration of bold, intrepid urban staples such as oversized anoraks and quilted puffer jackets stitched with colourful inner linings excite the collection with a freshness that never oversteps into the core essence of Fendi. The collection loyally adheres to palettes of sharp blacks, metallic sheens and classic neutrals focussing on rich chocolates, nutty browns and creamy whites.

The occasional dash of bold reds, yellows and oranges seen in the sleek footwear trimmings is a clever, understated touch that adds a subtle flair of zest and contemporary edge to the collection. Franz West is widely known and revered for his year career that features notable highlights such as his series of Adaptives in the s, his Lemur-Heads scattered around Vienna as well as his use of unconventional materials in building furniture and his famously colourful work with paper mache.

For Franz, the meaning is not some ungraspable, floating figment in the ether. Rather the meaning is what we decide to grant to it and is the various experiences that are evoked upon our direct, personal interaction with the given piece. We are the essential, necessary final piece of the puzzle. Our realisations, our relationship and our connection with the pieces are paramount and take priority focus — how we respond, what we evoke, what we discover.

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Artist first, model second, Sang Woo Kim has collaborated with Giorgio Armani on a special digital project — to creatively interpret FW18 from behind the scenes. Fine art is his first love, where his instinct began to drive his inspiration. Sang Woo translates literally to: each other, helping. Through this collaboration, I wanted to capture and transmit with my photos this shared feeling of romance, masculine sensitivity, and elegance, and in a completely uncontrived way; thus staying true to the vision of Mr.

Dries Van Noten has been synonymous of effortless since the beginning, more than 25 years ago. We have tasted surely during his th show where pieces of all past collection where carefully selected and carefully re-arranged together. The Spring Summer , the first Womenswear show after the news of the recent majority acquisition by Spanish conglomerate Puig, was set at Palais the Tokyo and its clean environment. Many saw it as a symbol of a new start, a new beginning.

But the collection proved that Dries van Noten aesthetic is as strong as ever. The workwear jumpsuit with the upper part pulled down at the waist and work as a decorative bow belt felt the quintessential Dries van Noten: infinitively savoir-faire. Stone Island is a brand that lives to explore — their military logo symbolizes love for the sea and constant search, discovery is in their blood.

This penchant for discovery has led Stone Island on a quest for innovation. Now, the desire for continual experimentation has given life to the Iridescent Coating Tela collection. Iridescent nylon bonded to a golden pink polyurethane film fuses with Reflex Mat: a reflective nylon canvas with a matte coating made with thousands of glass microspheres to create six intergalactic garments. The collection is availble now. Touch entry, touch seating, touch steering, lights on lights, touch on touch, screens on screens.

This is the automobile of the future. The iNext is a divisive innovation that reaches further than expectations can begin to fathom. However, this is the best place to start. The meticulous exterior harmonizes precision design. Every single line is conscious and purposeful. The wheels look as though they have escaped from Area 51 at their own free will, while the interlinked double-kidney grille evokes authority through clearly sculpted form and surfaces.

Even the paintwork traveled back in time, the Liquid Greyrose Copper exterior changes in shade and humidity injecting the vehicle with a charismatic flair. A gentle swipe, where one would imagine a handle to exist, triggers a crisp opening. The world beyond beckons. Every object is designed as if it were a single piece of furniture, reminiscent of your living room. The result is an utterly human car, released from everything. The evocative nude tones marry seamlessly with warm green turquoise micro-fiber, lined with purple jacquard, a traditional method that finds itself a place in the new world.

The grace and splendor of the iNext alone are astounding, yet there is more. Shy technology. Shy tech abolishes physical controls from the entire cabin and replaces them with a gesture control system that is both intuitive and natural. The simple task of outlining a music symbol on the fabric of the rear seat allows passengers to take control of the vehicles audio, yet another step toward an autonomous future.

The iNext will not be an entirely autonomous automobile and will instead promise two driving modes, Boost and Ease. Boost is the human interaction and Ease being the control of the vehicle itself. For now, the real-world driving experience is thin on the ground. Spring is a collection of growth to mark an iconic decade for Victoria Beckham. A decade in which Victoria has blossomed into an empowering stalwart of the fashion industy.

Anderson composed a fluid collection that recognizes the elaborate as refined. A celebration of fashion. Simone Rocha exhibited a cultured and sophisticated collection featuring tang dynasty prints and hand drawn faces. A romantic tribute to religious rituals surrounding births, weddings and funerals which bring extended family together. The quiet presence of Escade erupted at the Park Avenue Armory. Tom Ford used New York Fashion week to return to his classical past, a class that oozes sex appeal, sensuality and luxury.

The Tom Ford Spring collection maintains a strict palette of black, white, gray and nudes drawing from the sensual warmth of humanity we so often crave. Life is made of details, those little gestures that day by day build up our personality. For dunhill, accessories function exactly to define a precise sense of uniqueness, which in turns comes out from a variety of multifaceted aspects that literally mirrors the brand's DNA. Elegantly shot by photographer Jack Webb in the streets and through the glass fronted buildings of Mayfair in London, the pictures present the firm beauty of model Clement Chabernaud.

Layered outerwear pieces and traditional cashmere coats nonchalantly speak for British masculine elegance, while leather goods underline the always contemporary yet timeless language of the brand. Shooting took place in sunny Los Angeles. The main theme of campaign — family values and women with a bright personality. This time Italian famous brand decided to show the family portrait of the Kardashian clan. French multinational luxury brand Louis Vuitton announced about holding an auction on July 12 at charity gala dinner.

FAC in the News

The event has been organized by Russian famous supermodel Natalia Vodianova and music producer Yana Rudkovskaya. Moggie — late to the discussion because her daughter Olivia has a fever and a swollen face — demurs to scheduling the event for the following day. However, playwright Jonathan Spector succeeds, and the FB Live scene successfully serves as the crisis of the play.

The heightened action in the final scenes would require multiple spoiler alerts. Casting is by Anne Davison. Mehr Kaur serves as the Associate Director. Two p. Running time is 1 hour and 50 minutes with one intermission. Credit: Robert Altman. Keith Hamilton Cobb makes it clear that unless we take his cautionary tale seriously, we risk opportunities for meaningful and transparent dialogue: and this at the peril of creating an even greater divide in our culture, our nation, and the global community.

His language is powerful, engaging, and deeply infused with the need for truth telling and transparency. Silencing and truth are inextricably woven into the issues of systemic racism. During the curtain call, the audience at this performance quickly rose up on their feel to deliver enthusiastic applause. He is joined by Josh Tyson as the Director. Edwards lighting design , and Christian Frederickson sound design. Tickets can be purchased by visiting www. This unique perspective allows Alice to convey to the audience how she understands the significance of her death and how her life experiences might have contributed to her death.

It is significant that Ms. There is anger at her mother, denial of the turning point she experienced, bargaining as she makes the decision about taking her own life as her boyfriend Ben confuses prurience with compassion , and the acceptance of her choice to end her life — depression has been ever present for Alice in life, in death, and in life beyond death. Much of the success of Ms. Milly Thomas is a brilliant performer. Just as Ms. This convention is brilliant and evolves over the course of the performance.

Tickets can be purchased online at nytw. Running time is 75 minutes with no intermission. Both are haunting and unforgettable plays, each performed by a brilliant actor. Neither monologue is linear which makes it difficult for the actors to convey a sense of continuity in their performances. The stories move quickly from present to past and back again.

There are more than one setting in each play and the moods in each monologue shift mercilessly without warning. One can see his thinking outpacing his speaking as he tries to make sense of what befalls him and his family while his wife shops locally, his daughter plays by the sea, and his father-in-law relaxes and reads by her side. Two major differences in the scripts determine the style and impact of the performances. Logos, pathos, and ethos collide in their telling of two tragic stories of love, family, strength, disappointment, and the vicissitudes of birth, life, and death.

The characters in these two short plays and their universal conflicts resonate powerfully with audience members and the connections of the rich plot these conflicts develop to the self and the other are riveting. Projections have been added to the Broadway production which do nothing to add to the sense of the universality of the monologues.

The work of the two actors is enough to portray the necessary pervasiveness of the themes without visual sleight-of-hand. The themes of the two short plays are so congruent and the conflicts of the two protagonists so parallel, it often seems to be one co-authored play in two acts. Each actor delivers compelling performances that bring his character to a level of believability and authenticity rarely achieved in solo performances.

It is not difficult to believe that these are the stories of the actors themselves performed for the audience as their gifts of catharsis and redemption. Tickets are on sale by visiting www. Running time is 1 hour and 45 minutes including a minute intermission. Nor has she been terribly man savvy.

Each of these important issues is handled not only glibly but in a highly charged didactic style. Knowing whether she goes forward in time or back to Chip would require a spoiler alert. Throughout this endeavor, Ms. The thought that in two women could not engage in a romantic relationship is held in disdain by one of the characters.

Apparently, Ms. Whitfield is not aware of the active lesbian community at the beginning of the s. Unfortunately, the playwright offers no new solutions or insights into these important issues for women and for their causes of freedom. Whitfield chooses to direct her play with less than successful results. White and Mr. Casting is by Stephanie Klapper Casting.

The production stage manager is Emely Zepeda. Tickets are available by calling the 59E59 Box Office on or by visiting www. Running time is 85 minutes with no intermission. Any nostalgia for his home is overshadowed in the musical by overbearing greed and abuse of his reputation and standing in his community. Junior, at nineteen, was to continue in this family tradition of faith healing.

This morally ambiguous act both illicit and redemptive does not redeem the overall structure and content of the musical. The cast is uneven, perhaps resulting from their efforts to navigate the overwrought and overlong script. There are confusing scenes like the one with sex workers in the background writhing around while Charma connects to Junior telepathically. Running time is 1 hour and 45 minutes without intermission.

The playwright raises several enduring questions, including whether there is a difference between make-believe and real life or if they are perhaps the same phenomenon, and whether one can ever escape the specter of dysfunction and childhood trauma. This revelation begins when the children realize they have been abandoned in the attic of their family home and when one of them, Chris, decides to act. In these family make-believe role-plays, older brother Chris an intense and mysterious Ryan Foust and older sister Kate a determined and astute Maren Heary play husband and wife and Dad and Mom to their younger siblings Addie an introspective and imaginative Casey Hilton and Carl a lonely and somewhat ignored Harrison Fox who is most often assigned the role of family dog.

These are children older beyond their years. Where he got the money to buy the food is revealed in the second half with the grim discovery disclosed by his adult namesake a solid and deeply reflective Kim Fischer who is attending the same funeral. Similar parallels are disclosed for Addie a broken but hopeful Susannah Flood and for Carl a distracted and depressed Brad Heberlee.

But do these consequences totally define the dysfunction of adulthood? How is this Chris related to Chris Conlee and will his surprise revelation give the Conlees a second chance at redemption and release? Will there be catharsis for the audience? Justin Scribner serves as production stage manager. But what of the play itself? Did the run of the play mean anything? Domenica Feraud plays Rachel the anorexic high school student who has been in extensive treatment at Renley a facility specializing in the treatment of eating disorders.

After fighting for her life there with the therapeutic guidance of staff member Brenda a commanding and intuitive Portia , Rachael believes she is ready for a trial weekend back home with her mother Joan a self-absorbed and toxic Florencia Lozano , her father Peter an ineffective and weak Michael Hayden , and her brother Brody an honest and authentic Jake Ryan Lozano. Feraud uses foreshadowing early in her play to handily short circuit the process of exposition. No one picks Rachel up to bring her home: Rachel must find her own way home for the weekend trial visit.

This could not be a more emphatic example of what is to come in the remainder of the play. Rachel is reentering the toxic environment that contributed to her illness. Her family system is broken and has only become worse in her absence. Her mother Joan is highly competitive and controlling and her father Peter does nothing but collude with the dysfunction. She decides to return to Renly with Brenda. This is her only choice if she wants to choose life over death and wellness over the binging and purging cycles of anorexia.

Joan and Peter are not even willing to fulfill the requirement of one parent being present when Rachel eats and assuring her meals are substantial including the required amounts of carbohydrates and proteins. These are the questions that ultimately allowed Rachel to maintain a holistic and healthy control of her life and abandon the pernicious type of control that was slowly eroding her chance to live. It captures the sounds of Lady Gaga, Katie Perry, Patti Labelle, Beyonce, Elton John and an endless host of others as they are woven into the plot with unequivocal brilliance.

Those all familiar high-octane vocals perfectly match the glitz and purely decadent glamour that surrounds them and echoes their sentiment. As you await the show to begin, revel in the pre-show antics of the family of actors, singers and dancers that occupy this louche house of entertainment. That will only happen if you stop your eyes from gorging themselves on the visual feast that scenic designer Derek McLane has placed before you, complete with signature windmill and elephant that peer over your shoulder from the now defunct boxes high above.

Immerse yourself in the kaleidoscope of color that blankets the stage and adorns the sexy costumes by Catherine Zuber that are bathed with washes of warm and inviting lighting designed by Justin Townsend. Snap pictures with your phone like an enthusiastic tourist, mill around the theatre amongst the crowded aisles of the orchestra and feel the energy of the devoted congregation. They are not there to pray. It seems worth whatever the cost as you are transported to a place that is foreign but familiar, sleazy but safe and tempting but tragic, because, you want to be there. The Musical.

Christian a convincing and magnetic Aaron Tveit who has fled his restrained life in America, to join the bohemian artists of Paris and become a song writer finds his way to the Moulin Rouge and meets Satine the incomparable and intoxicating Karen Olivo the outlandish diva of the cabaret. Enter the Duke an evil and beguiling Tam Mutu who is there to save the club from bankruptcy in exchange for an introduction to the beautiful and alluring Satine. Harold Zidler the outstanding Danny Burstein is the owner of the cabaret who officiates over the devilish proceedings.

That is where the story begins. Where it ends is the heartbreaking tragedy. Tveit uses all his charm to create a genuine character that is under written and supports his effort with his mesmerizing baritone vocals. This is just the spark that ignites her performance as she shatters the house with her impeccable vocal ability. The superb Mr. Burstein portrays the father of this family of misfits with honesty and practicality while managing to serve up his dual personality as ringmaster of the decadent circus with a sonorous style and forlorn energy.

Director Alex Timbers with a keen eye for detail, galvanizes his cast, inspiring them to participate in the debauchery of the musical extravaganza but never lose sight of the tragic story. The choreography of Sonya Tayeh is the heartbeat of the production, pumping life into musical numbers and challenging dancers to turn emotions into movement. Orchestrations, arrangements and music supervision by Justin Levine is the cohesive element that supports, invigorates and fortifies every creative aspect of the performances.

Categorized as a jukebox musical this production gives new meaning to the adverse classification by weaving the musical catalogue of mega hits into the straightforward book by Jonathon Logan. Call this opulent, over the top, musical extravaganza anything you like but be aware it will never diminish the incredible work of a first-rate creative team or depreciate the entertainment value that it delivers. The ensemble and swings include Amber Ardolino, Jacqueline B. Ashley Loren is the Standby for Satine. Casting is by Jim Carnahan and Stephen Kopel.

Tickets are available at www. Running time is 2 hours and 35 minutes including one intermission. Kay says she has spent most of her life in waiting rooms and playwright Elaine Murphy uses the waiting room as an apt metaphor for the often-unwelcome vicissitudes of life. Unfortunately, there seems to be nothing new in these stories and their too comfortable content makes the one-hundred minutes seem much longer. Despite the challenges of the script, the three fine actors transcend the material to offer glimpses into the often-undisclosed problems facing three generations of women caught in restrictive matrices of expectation and oppression.

Arthur Atkinson serves as Production Stage Manager. Greenburger Mainstage through September 1, on the following performance schedule: Wednesdays at p. Running time is minutes without intermission. Although Maggie manages to deck him, the police have no interest in apprehending him. Chavez tackles the text with the same bravado and strength her character summons to subdue her attacker. Their distinctive voices display strong interpretive skills, exquisite tonal quality, and controlled vocal modulation. Andy seductive tenor Andrew Bidlack is a teenager who is punched in the face and kicked out of his Buffalo home by his parents and now embraces the life of a hustler on the streets of New York City.

Troy husky bass-baritone Joseph Charles Beutel is straight go-go boy at the Stonewall, a hustler and a drug addict who, with the help of Sal gruff baritone Michael Corvino a manager at the club with ties to the Mafia, shakes down Edward rich baritone Justin Ryan the closeted financial advisor from Greenwich, Connecticut with a wife and kids who spent a night with Troy. Late-teen Maynard is more comfortable as Renata. Just No! Running time is 75minutes without intermission.

Credit: Sarah Shatz. In that commercial, actor Luke Wilson a convincing Jonathan Sale stands in front of a Verizon network map covered with red dots to represent their coverage areas. Famed documentary director Errol Morris a sedate but tyrannical David Wohl had a different brainstorm when he sees Wilson wince in pain during one of the takes, after he accidently gets hit on the head by a hard gumball misguided by Rob a competent but confused George Hampe the young prop man.

She then informs the young prop man who is morally opposed to hurting the famous actor and putting his union job in jeopardy when his senior prop man Ken a committed Dean Nolen walks off the job in fear of the penalties. All this as intern Jenny an innocent but mindful Reyna de Courcy looks on in disbelief as she witnesses the unscrupulous debacle.

One of the many problems that plagues this production is that there are almost as many platitudes strewn across the stage as gumballs, some more prevalent than others. The play does not have enough substance to address the endless workplace problems that erupt and challenge the employees morally and intellectually. The many takes become repetitive and boring even though each has a different twist and elevates the perplexity of the dilemma.

This contributes to the feeling that the play goes on much longer than its seventy-five-minute length. Issues are established but never resolved leaving a void that is created by ignorance. Director Theresa Rebeck keeps the action moving on the sleek, modern television studio set, created by scenic designers Christopher Swader and Justin Swader, but is undertaking turning a one trick pony into a three-ring circus.

The fact of the matter is the characters are too shallow and once the gumballs drop, the play is over, left with nothing to say. Tickets are available at TheWorkingTheater. Running time is 75 minutes without intermission. She tries to keep her husband Jack a stoic and somewhat abusive Adam Petherbridge from the revolutionary fervor sweeping through Dublin.

The disparate, quarrelsome tenement residents are forced to shelter together as urban warfare makes their home nearly as treacherous as the streets. Passions and ideals rise and converge, but in the end, loss and devastation triumph over the promise of a new Ireland. Charlotte Moore directs the cast with a passionate commitment to excellence.

In addition to Ms. Tinley, and Sarah Street as Rosie Redmond. Running time is 2 hours and 15 minutes including an intermission. This season, Michael R. Despite the importance of the discussion Michael R. There is enough genuine grit in Michael R. The plot is predictable, the characters are stereotypical and some of the humor is questionable in the present socio-political climate, but when all is said and done, it is just harmless fun created in a different era with no underlying message but created for pure entertainment.

The plot follows David Kolowitz a waggish Chris Dwan and his dream to leave the Bronx to become a famous actor and movie star. He joins an acting school and is cast in a production by the owner and director Marlowe an exasperated David Schramm because his daughter and leading lady Angela a frolicsome Farah Alvin thinks he is cute. When his parents the delightful Alison Fraser and solid Robert Picardo discover why he is coming home so late they forbid him to do the play and force him to go to Pharmacy school.

To complicate the situation David is a bit girl crazy having a steady girlfriend Wanda a supportive Allie Trimm and a huge crush on the clerk at the hat store Miss B a seductive Dana Costello. Of course, everything works out in the end as it always does in musical comedy. The reason this production works much better than the original is because it is scaled down and certainly plays better as a small intimate musical.

The downside is that it is difficult to keep the energy up without those big production numbers and the weak book becomes more front and center. The cast must be perfect, committed to the broad and physical humor of the genre. This current revival certainly comes close, but the vivacity and spirit are too erratic and rely too much on the musical numbers to keep on pace. Dwan is a joy to watch and is reminiscent of a young Jerry Lewis with a rubber face and fluid movement taking advantage of every possible opportunity to use his comic skills and agile physicality.

The cast rounded out by Raji Ahsan, Ray DeMattis and Joe Veale are more than competent but need to ramp it up a notch to match and support the indefatigable and agile David Kolowitz. The creative team includes James Morgan sets , Tyler M. Running time is 2 hours and 20 minutes with one intermission. Alix a languid and defeated Molly Griggs and her mother Fiona an equivocating and frenzied Samantha Mathis are kicked out from pay-by-the-day motels for not meeting payment.

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Three lost children and two ineffective adults at odds with visions of the future. The two teenagers meet obstacle after obstacle in their efforts to move forward with their lives, and many of those obstacles are of their own making. The bird is an obvious trope for the brokenness shared by Mason and Alix and their need to be set free from their current impairments and entrapments.

Although this provides a modicum of catharsis, playwright Carla Ching takes too long to reach that resolution. Additionally, both playwright and director make some odd choices. For example, in an early conversation between Mason and his father, James undresses and, instead of putting on a bathrobe as the script suggests, sits in his underwear throughout the call.

Running time is 2 hours and 10 minutes including one minute intermission. Unfortunately, this is not the case. After all, apparently, they were close while Craig was alive. Peter makes a deliberate choice to move to Manhattan and seek work as an actor there. These flashbacks also reveal more about Craig and his lack of self-worth, his misogyny, and the real reason for his untimely death.

To say more about any of these issues would require spoiler alerts. It is enough to know that both Craig and Peter exhibit the symptoms of a narcissistic personality disorder and are dangerous young men. It is difficult to care for characters who fail to care for themselves or for one another, behave in ways that connect to reality only tangentially, and make choices that defy logic.

Seventh Doctor

Colin Woodell fares better than Mary Elizabeth Winstead who is making her theatre debut with this performance. It is difficult to understand fully why Second Stage chose to reprise this flawed drama that fails on every count to provide a satisfying dramatic arc that results in a much-needed catharsis.

Laura Smith serves as production stage manager. Running time is 1 hour and 30 minutes without intermission. A pile of old broken electronics gathers dust in the corner. A small wooden box sits near the door. There are times when some of the threads seem without any meaningful content and become, unfortunately, lost on the audience. There are so many detailed and repetitive moves and notes and sounds that it is remarkable the members of the cast are never in the wrong place at the wrong time or ticking off binary beats in the wrong dimension.

The cast also includes Jonathan Christopher and Nicole Weiss. Running time is 1 hour and 40 minutes without intermission. Amid unprecedented national and political division, issues of gender identity, gender equality, and gender protection continue to be critically important. Individual rights and freedoms are eroding at a dangerous pace. Religious rights are becoming more significant than the rights of individuals to make choices about their bodies, their relationships, and about their futures.

Kate Hamill gives her characters unique and authentic conflicts which the actors successfully employ to develop their characters with believability and develop the plot. Themes and conflicts counterpoint one another and the comparison and contrast of these provide enough dramatic progression. Unfortunately, there are times this production seems like the effort of a substantial community theater and disappoints more than it succeeds. These constant distractions diminish the impact of the work of the actors. No one should abide being a body stuffed into the wrong role.

Deborah Abramson serves as the composer. Running time is 2 hours and 5 minutes with one intermission. The kind of pretending that has the chance of making an incursion into the blinding light of reality. Frankie hosts her coworker Johnny Michael Shannon at the apartment for their first date and their first sexual encounter. She wants neither scenario but is too afraid to open herself up to the possibility for a healthier relationship. These two actors are stunning together and support one another as they lay bare the layers of their characters and expose their deep and enduring conflicts.

They could not be more comfortable in their skin and in their willingness to be completely transparent. At some point, Frankie and Johnny will need to go back to work. Will their emerging love and respect for one another survive in the light of day? Or will it be like the lives of occupants of the two apartments Frankie is able to see from her window. Will any of us survive in the glaring light of judgement and criticism?

For Terrence McNally intends his tender play to be for all who are struggling for meaning in relationship and in self. God, how I wish you two really existed. General Manager. For the performance schedule and to purchase tickets, visit FrankieAndJohnnyBroadway. Running time is 2 hours and 15 minutes, including one minute intermission.

Kai is a white university student athlete who was convicted of raping a black female student behind a dumpster at the school and is half-way through his six-month sentence. Choosing not to focus on the survivor but rather on the family of the criminal, playwright Selina Fillinger walks a fine line between redemption and reclamation. The playwright wants the audience to somehow accept alternative facts — sexual predators and their families are more important than survivors and their trauma.

She scrubs so hard on the dumpster she fails to come clean herself. She is dishonest with Joey, with her husband, and with her own superego. Kathryn Erbe and Christopher Livingston bring authenticity and grit to their performances of Charlotte and Joey. Their craft manages to transcend the holes in the script and the audience leans into their portrayals of brokenness Joey and arrogance Charlotte. The script is problematic on many counts. The scene of the sexual assault, the dumpster on the university campus, is revealed behind sliding panels that comprise the wall of the Center.

Kai will hopefully examine his life and his actions with care and the nameless survivor will spend the rest of her life wondering who next will pull her behind a dumpster and violate her body and soul. Call or visit www. Look it up. Trisha Decides to seek advice and guidance from her pastor — Pastor Dick. Enid here is laden with stereotypes. Peter in a sidecar! These misconceptions include two disturbing affirmations. Theresa S. Carroll serves as production stage manager. For tickets and info visit available at www. Scenic designer, Justin Townsend has transformed the space into a multi-purpose set used for several different locations but always having the lingering aura of a contemporary, professional recording studio.

Lighting by Kate McGee supports specific locations and has created a multi-colored neon tube installation as a focal point that pulsates during scene changes adding to the highly charged production and sleek design. The plot revolves around young DJ Danny Solis a convincing Sabastian Chacon who is an aspiring songwriter posting his beats on the internet and Ryan Reed an established rock star on the brink of super stardom who is experiencing a creative block.

Ryan is under pressure to write a hit single for her new album.